Public Domain Super Heroes

Jack Horner

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Little Jack Horner
Little Jack Horner 2 - WW Denslow - Project Gutenberg etext 18546

Real Name

Jack Horner, Jack Horne

First Appearance

“Little Jack Horner” (nursery rhyme) (1700s)

Original Publisher

English Nursery Rhyme

Created by



Jack Horner is the protagonist of the Eighteenth Century nursery rhyme “Little Jack Horner” as well as of a subsequent chapbook that portrays him as a sort of heroic prankster who slays a giant and who punishes dishonest people by using his coat of invisibility and his magical bagpipes. (Says the chapbook, “Whene’er he took a ſword in hand, / He made his foes to bleed.”) By the middle of the Nineteenth Century, however, his heroic exploits were mostly forgotten and further appearances usually portray him only as the little boy from the rhyme (although “What Jack Horner Did” and The Luck of Santa Claus do portray him heroically). By far, his strongest association is with pie, which he is eating or holding, or which is at least mentioned, in nearly every appearance.

Jack Horner is a variation of the archetypal stock folk hero Jack, and indeed some of his adventures are apparently derived from those of the character Jack in “The Friar and the Boy” as well as Jack the Giant Killer. Different variations of the Jack archetype are also often portrayed as separate characters; for example, Jack Horner meets and interacts with Jack and Jill, Jack Sprat and Nimble Jack in multiple stories, and he meets Jack Frost in The Luck of Santa Claus.

As a boy

The popular English‐language nursery rhyme “Little Jack Horner” describes the unusual thing Jack does while eating a plum pie. The most common modern words are:

Little Jack Horner
Sat in the corner,
Eating a Christmas pie;
He put in his thumb,
And pulled out a plum,
And said 'What a good boy am I!'

According to The Pleasant History of Jack Horner, Jack lives near London and is “A pretty boy, a curious wit, / All people ſpoke his praiſe.” His sitting in a corner and pulling plums from a pie is an annual Christmastime tradition of his childhood years. In “The Discouraging Discovery of Little Jack Horner,” it is Jack’s sister who bakes the famous pie, but Jack breaks a tooth on a plum stone accidentally left within it. In The Renowned History of Little Jack Horner, Jack encounters a beggar while on his way to school and sends her to his home so his mother can give her his leftover pie. So impressed is his mother with his charitable nature that she and his sister Patty Horner bake him a fresh new pie. In “There Was a Boy Who Lived on Pudding Lane,” Jack lives in Cole’s kingdom along with other nursery rhyme characters and is one of the children rescued by Santa Claus after being entranced by the villainous Pied Piper. In The Luck of Santa Claus, Jack Horner lives in Mother Goose Land but flies to Santa Claus Land on the back of one of Mother Goose’s wild geese in order to help her and other nursery rhyme characters to deliver presents on Christmas Eve after Santa and his reindeer are injured in a sleighing accident. In The Modern Mother Goose, Jack lives in Gooseland and is one of the children who attend Mistress Mary’s party on the moon. In The Strike Mother Goose Settled, Jack denies ever having pulled a plum from any pie, saying that the nursery rhyme is inaccurate, but it is revealed that the pig stolen by Tom, the Piper’s Son, which had only been taken temporarily as a prank, actually belonged to Jack. Mother Goose’s Melody suggests that Jack may have eventually become apprentice to a minced pie maker.

In “What Jack Horner Did,” Jack is an orphan being raised by his poor grandparents “in an old tumble‐down house at the edge of a big wood.” One day, Jack rescues a man from drowning in a nearby bog; it turns out that the man is quite wealthy and, in gratitude, lavishes gifts and gold coins on Jack and his family. Elated by Jack’s heroism and the resulting good fortune, Grandma Horner is inspired to bake him a plum pie on the day before Christmas.

In Boy Blue and His Friends, a book that gives more realistic origin stories to various nursery rhyme characters by portraying them as average schoolchildren in the United States, Jack Horner’s real name is Jack Horne, and he is the one responsible for inadvertently letting Mary’s lamb Fleecy into school by arriving late and leaving the school door ajar. The “Christmas pie” is actually a fake pie fashioned by his mother for a party at their home, with the “plums” inside being wrapped party favors for the guests. Jack’s plum contains a watch so he would not be late to school again.

In “The Christmas Conspiracy,” Jack Horner and other characters live in a huge book of nursery rhymes in the home of children Harry, Nell, Bobby and Dot where he participates in a lighthearted plot on Christmas Eve to “capture” and confront Santa Claus to ask why he doesn’t bring gifts to nursery rhyme children. So confident is Jack that he will get the pie that he wants for Christmas that he gives his old pie to Simple Simon, saying “I picked out all the plums years ago.” Jack indeed receives a new pie from Santa, which is visible thereafter in the book in which he lives. It is also implied that Mother Goose is genuinely Jack’s mother.

In The New Woman in Mother Goose Land, Jack Horner is the brother of Tom, the Piper’s son, and by inference, is also himself the Piper’s son (and the Piper is Mr. Horner). Mrs. Horner is a busy suffragette who henpecks her husband and leaves Jack to care for his little sister, Rockaby Baby.

As a young man

In The Pleasant History of Jack Horner, Jack matures to become “proper, ſtrait, and trim,” and many young women fall in love with him. Curiously, he is described in three chapters as being only thirteen inches tall, although some of the woodcuts seem to depict him as a young man of normal height. By the time he is twenty, Jack is living with a knight and serving as his page “To yield him much delight.” Donning a goatskin at midnight, Jack breaks into the home of a dishonest tailor and terrifies him by pretending to be the Devil. He later has a bizarre altercation with his master’s cook Joan in which she hits him on the head with a ladle and he goes under her skirt to bite her on the leg and posterior. A cave‐dwelling hermit gives Jack a coat of invisibility and magical bagpipes that compel anyone who hears them to dance and follow the music, and Jack soon thereafter uses them to punish six fiddlers and six peddlers, whom he believes to be dishonest, by leading them over rough terrain so they tear their coats and trousers and break the instruments and glasses they were carrying, and then again when he exposes his friend’s unfaithful wife as having an affair with a neighbor. In the final chapter, in a clear conflation with Jack the Giant Killer, Jack Horner slays the tremendous fire‐breathing giant Galligantus by using a five‐inch sword and his magic bagpipes, and then marries the daughter of a knight who had proffered her as reward.

Jack Horner is the best man in The Marriage of Jack and Jill. No mention is made of whether his wife is in attendance.

Public domain literary appearances

  • Little Jack Horner” (nursery rhyme), Roud Folk Song Index no. 13027.
    • Mother Goose’s Melody, compiled by John Newbery, ca. 1785. (Internet Archive)
    • Gammer Gurton’s Garland: or, The Nursery Parnassus; A Choice Collection of Pretty Songs and Verses, for the Amusement of All Little Good Children Who Can Neither Read nor Run, part 2, 1810. (HathiTrust)
    • The Nursery Rhymes of England, Collected Principally from Oral Tradition, collected by James Halliwell‐Phillipps, 1842. (Internet Archive)
    • The Royal Infant Opera, Composed Expressly for His Royal Highness the Prince of Wales, & Inscribed to Every British Mother, music by Olivia Buckley, [1842?]. (HathiTrust)
    • Mother Goose; or, National Nursery Rhymes and Nursery Songs, music by James William Elliott, 1872. (HathiTrust)
    • Humorous Quartets for Men’s Voices, music and additional verse by Lee G. Kratz, 1905. (HathiTrust)
    • Melodic First Reader, by Frederic H. Ripley and Thomas Tapper, Natural Music Course, 1906. (Internet Archive)
    • Songs from Mother Goose for Voice and Piano, music by Sidney Homer (op. 36), 1919. (Internet Archive)
  • Namby Pamby : or, A Panegyric on the New Verſification Addreſs’d to A⁠⸺ P⁠⸺ Eſq;” (poem), by Henry Carey, 1725. (HathiTrust)
  • The Pleaſant Hiſtory of Jack Horner: Containing the Witty Tricks and Pleaſant Pranks He Play’d from His Youth to His Riper Years; Pleaſant and Delightful Both for Winter and Summer Recreation, [ca. 1790] (presumably a later edition of the 1764 work cited in the Wikipedia article). (Internet Archive)
  • “The Loves of the Triangles: A Mathematical and Philosophical Poem,” first installment, by Mr. Higgins (pseudonym of George Canning), The Anti‐Jacobin; or, Weekly Examiner, no. 23, 16 Apr. 1798. (HathiTrust)
  • “Mainchance Villa,” ch. 39 of Melincourt, by Thomas Love Peacock, 1817. (Internet Archive)
  • Don Juan, by Lord Byron, canto 11, st. 69, 1823. (Internet Archive)
  • The Renowned History of Little Jack Horner, [before 1829]. (Internet Archive)
  • “Jack Horner,” in Mother Goose for Grown Folks: A Christmas Reading, by Adeline Dutton Train Whitney, 1859. (Internet Archive)
  • Jack Horner (war novel), by Mary Spear Tiernan, 1890. (Internet Archive)
  • “Hop‐o’‐my‐thumb and little Jack Horner” (rhyme), in Sing‐Song: A Nursery Rhyme Book, by Christina Rossetti, 1893. (Internet Archive)
  • Yale Yarns: Sketches of Life at Yale University, by John Seymour Wood, 1895. (Internet Archive)
  • “What Jack Horner Did,” in Mother Goose in Prose, by L. Frank Baum, 1897. (Internet Archive)
  • “The Discouraging Discovery of Little Jack Horner,” in Mother Goose for Grown‐Ups, by Guy Wetmore Carryl, 1900. (Internet Archive)
  • “Little Jap Horner” (rhyme and political cartoon), by Bob Satterfield, Newspaper Enterprise Association, The Tacoma Times, vol. 1, no. 81, 23 Mar. 1904. (Library of Congress)
  • “A Message to Mother Goose,” by Ellen Manly, St. Nicholas, vol. 32, no. 2, Dec. 1904. (Internet Archive)
  • Boy Blue and His Friends, by Etta Austin Blaisdell and Mary Frances Blaisdell, 1906. (Internet Archive)
  • “A Dream of Mother Goose,” by J. C. Marchant and S. J. Mayhew, and “A Mother Goose Party,” by G. B. Bartlett, in A Dream of Mother Goose and Other Entertainments, 1908. (HathiTrust)
  • “Little Bo‐Peep and Her Sheep,” in Rimes and Stories, by Lura Mary Eyestone, 1910. (HathiTrust)
  • “The Christmas Conspiracy: A Christmas Play for Boys and Girls,” by Elizabeth Woodbridge, St. Nicholas, vol. 39, no. 2, Dec. 1911. (Internet Archive)
  • “Vangoulderbilt Horner sat in a corner” (rhyme), in The Bull Moose Mother Goose, by Sallie Macrum Cubbage, 1912. (HathiTrust)
  • The Marriage of Jack and Jill: A Mother Goose Entertainment in Two Scenes, by Lilian Clisby Bridgham, 1913. (Internet Archive)
  • Miss Muffet Lost and Found: A Mother Goose Play, by Katharine C. Baker, 1915. (HathiTrust)
  • The New Woman in Mother Goose Land: A Play for Children, by Edyth M. Wormwood, 1915. Noteworthy for not associating Jack in any way with plums or pies. (Internet Archive)
  • The Modern Mother Goose: A Play in Three Acts, by Helen Hamilton, 1916. (Internet Archive)
  • The Luck of Santa Claus: A Play for Young People, by B. C. Porter, 1918. (Internet Archive)
  • “There Was a Boy Who Lived on Pudding Lane: A True Account, if Only You Believe It, of the Life and Ways of Santa, Eldest Son of Mr. and Mrs. Claus,” by Sarah Addington, The Ladies’ Home Journal, vol. 38, no. 12, Dec. 1921. (HathiTrust)
  • The Strike Mother Goose Settled, by Evelyn Hoxie, 1922. (Internet Archive)
  • Dictionary of Mythology Folklore and Symbols, by Gertrude Jobes, 1961. In the public domain from failure to renew copyright. (HathiTrust)

Public Domain Comic Appearances

  • Four Color #41,68,90,126,140,172,185,201
  • Jack-in-the-Box Comics #11
  • Smash Comics #59

Public Domain Comics Inspired by Little Jack Horner


See Also

External links

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